Adam Reger | Freelance Writer

Philadelphia-based freelance writer

Category: Pittsburgh

Reason to Love Pittsburgh #3: Keystone State Wrestling Alliance

The Keystone State Wrestling Alliance is a local pro wrestling outfit that holds monthly (usually) events at the Lawrenceville Moose. It is awesome. I’ve been going intermittently for several years and it is a real joy. If you’re remotely interested in this, you should go. Go once, try it.

For the flavor of the KSWA, check out these profiles of the wrestlers and the photo gallery. In the latter, please note the wood paneling and drop ceiling of the Lawrenceville Moose. That is just the start of the atmospherics you can expect when (not if but when) you attend a wrestling show. There are all kinds of Pittsburghers at the Moose: yinzers, kids, diehard wrestling fans, confused newbies, grad students, hipsters (quite a lot of them, actually), families, girls’ basketball teams, and a number of other categories I’m probably omitting.

Anyway, the KSWA is having its “Summertime Bruise” event this Saturday, July 24th, at 7:30 PM. The Moose is at 120 51st Street, just off Butler Street in Lawrenceville. Tickets are (I’m pretty sure) $10. It’s one of my favorite Pittsburgh things and I cannot count the number of friends, classmates, friends of friends, and friends of classmates I’ve compelled to go to the Moose for a night of wrestling insanity and local color. Also, cheap beer.

Recordings where people laugh

I’m listening to an episode of The Best Show on WFMU (which I slavered over here) from a couple of weeks ago. Jon Wurster is in the studio as Rick Spangler, “a record producer with a diverse resume.” Although usually unflappable, Wurster here cracks himself up repeatedly, playing it off as an effect of pollen and breath mints, and glossing over the covered-microphone silences as his having fallen out of his chair.

And I am loving it. It’s reminding me of this Elliott Smith cover, “All My Rowdy Friends (Have Settled Down),” a Hank Williams, Jr., song, which is on the CD that comes with Autumn de Wilde’s Elliott Smith photo book. I think the CD is called “Live at Largo,” if a CD in the back of a book can have a proper title, but in any case that’s what the music is: recordings from a show at Largo in Los Angeles (which, just to make this post splinter off in as many directions as possible, here is a New Yorker piece describing the scene at Largo (though you have to have digital access to get at more than the abstract, so maybe save yourself the click if you don’t want your interest piqued and then rudely stifled)).

But anyway the reason I love the song is that Smith laughs repeatedly during the song and sounds, generally, happy. He totally blanks on part of the lyrics, which I’ve now discovered to be “corn bread and iced tea took the place / Of pills and ninety proof.”

Also, here’s Hank Williams, Jr. playing the original. Not surprisingly, I prefer the Elliott Smith version. Last weekend I picked up a cassette of Hank Williams, Jr.’s greatest hits at Salvation Army (minus any kind of cover or case, which made it all that much more thrilling) and by Tuesday I was pretty well done with it. Country music remains, like the films of Jerry Lewis, way better in theory than in my actual experience of them. It is a great song, though.

And another plus is that I now get the self-referential line Williams, Jr. throws into the Monday Night Football theme at the end, when he goes, “All my rowdy friends are here on Monday night.”

Freemasons Open House in Pittsburgh

I am deeply regretful that I will not be able to go to this Freemasons open house this weekend, and am jealous of anyone who is able to go.

Compounding that regret is this tantalizing quote from Mike Marcus, one of the members: “There is always an interest in boosting membership numbers, but we’re not opening our doors only to try to sign people up.”

Always an interest in boosting membership. Only to try to sign people up. Implying that, yes, they are trying to sign people up! Suggesting that I could go to this thing (if I were not heading out of town for a sure-to-be-raucous Reger Family Reunion) and come out some hours later an initiate into the secrets of the Free and Accepted Masons. Oh, cruel and fickle fate. Oh, teasing cosmos. Going out of town while this is going on could be my biggest regret since I had class while my friends were initiated into the Braddock Elks Lodge. Why didn’t I ditch that day? Why? I still don’t know.

Thanks given

Today marks one year since I started my job. The time last summer that I spent unemployed recedes further into the past. My memory of that time, accordingly, gets rosier and brighter. Good thing this blog is still out there, reminding me of what a boring time that actually was.  (Actually I notice I had a recurring tag, “Boredom,” that appeared in a lot of posts.) I played a lot of Tecmo Super Bowl in those days.

I usually let anniversaries, birthdays, holidays, etc. pass without too much reflection (because I like to do my reflecting when I want to, not when some fat cat tells me to), but on this one I’m struck by how fortunate I am to have a job. Straight up.

Coming upon this post from that other blog, I’m reminded what an odyssey it was to temp and to look for a permanent job (and to try to do things like write and have a post-MFA social life afterwards). Work is not inherently fun, but stability is nice. And this is all without reference to the economic crisis or the current shortage of jobs; considering how many qualified and over-qualified people can’t find work only compounds my sense of being incredibly fortunate. (It might make me double-super lucky that I wasn’t looking too hard for work when I got this job; one of my old co-workers opted to go to law school and my former bosses thought of me.) Anyway, I suppose this note is along the lines of the ads I used to see in the classifieds section of the Philadelphia Inquirer, thanking various saints (I think St. Jude is the default saint, but what do I know) for gifts received.

No Opinion

Is it a sign of approaching middle age to be basically indifferent to large chunks of pop culture? The Flaming Lips are playing Pittsburgh tonight. I saw that a while back and thought, “Yeah. Maybe.” Then did nothing. My girlfriend just texted to suggest we buy scalped tickets and go see the show. I couldn’t tell if she was kidding or not. (Update: I think she was.)

I saw the Flaming Lips a while ago. I remember it being a pretty excellent show: Sebadoh, Cornelius, and a band called ICU (that was actually one dude with a theramin) also played. It was at the Electric Factory in Philadelphia. I got off the wrong subway stop and wandered through some of Philadelphia’s sketchiest, dirtiest neighborhoods as dusk settled in and I got progressively more freaked out. It was the summer after my first year of college and I had just hacked off this great heinous mane of wavy hair that I’d been cultivating since the summer before my senior year of h.s. During the show, someone kept throwing water at Sebadoh’s bassist and he flipped out and came into the crowd. There were innumerable delays because HBO was recording the show. I came away liking Cornelius, mainly because of their copious use of Planet of the Apes imagery. Wayne Coyne from the Flaming Lips did a duet, with the theramin-playing guy from ICU, of “Somewhere Over the Rainbow.”

Still: I would rather eat a nice dinner, take a walk, and watch a movie than go to an arena and see the Flaming Lips tonight. If this be middle age, fine. Even at that Philadelphia show, I remember walking to the door and applauding only half-heartedly for the Flaming Lips to come back for an encore. When they did, I stayed out of a sense of obligation. They were touring in support of The Soft Bulletin, which I didn’t love. Nor did I love Yoshimi Battles the Pink Robots. After that, I stopped paying attention. (Although I did go see Christmas on Mars, which was phenomenally boring and badly made to an extent you rarely ever see on the big screen.) It feels like the Flaming Lips have gone the way of Pearl Jam or U2, where whatever got them to this point—their fantastic weirdness, I’d argue—is alternately forgotten and trotted out as their shtick.

But, that’s just me. I have an embarrassing habit of being lukewarm on most bands’ breakthrough albums. Don’t ask me about The Bends versus OK Computer, because I’ll just make us both feel bad.

What were we talking about?

On “Inception”

I saw it yesterday and am still thinking it through. If I don’t love a movie immediately, or have very high expectations for it that are not met, I sometimes over-correct and say that the movie was bad or that I disliked it. I can admit that Inception wasn’t bad, and that on the whole I liked it. But it felt like something was missing, or like the overall set-up was overly intellectual and failed to communicate any real feeling.

This review, by Christopher Orr over at The Atlantic, comes pretty close to my own feelings on Inception. I certainly don’t care for Orr’s (mild) diss of The Prestige, though.

I now turn my sights to the technically virtuosic, exquisitely conceived and designed latest film from a director whose work I typically love that I’ve really been looking forward to this summer: Micmacs. I’d take Jean-Pierre Jeunet over Christopher Nolan any day.

Reason #2 to Love Pittsburgh: Gist Street Reading Series

(As mentioned here, I’m enumerating reasons in random order, but giving them consecutive numbers (as opposed to “Reason #6,387 to Love Pittsburgh”).)

Pittsburgh definitely punches above its weight class when it comes to the literary scene. A lot of that is due to the universities: the deep-pocketed Carnegie Mellon University brings in some jaw-dropping readers every year, and the University of Pittsburgh and Chatham University (nee College) both have MFA programs that both bring in and incubate talented writers.

But it’s sort of de rigeur for universities to pull the weight. The really impressive thing about the city’s literary community is the Gist Street Reading Series. Independent of the universities, and with only a tiny bit of funding from the Pennsylvania Arts Council, Gist Street is a local, homegrown phenomenon. The set-up’s simple: the first Friday of the month, two writers—one fiction, one poetry—read from their work in a loft space in Pittsburgh’s Uptown neighborhood (a tiny, isolated, somewhat sketchy neighborhood just on the cusp of Downtown). It’s BYOB—and B.Y.O. Food, Dessert, Anything You Want to Eat or (Preferably) Share with a Bunch of Strangers. As the Series’ slogan goes, “It’s not about suffering.” And it’s not: there’s always ample eating, drinking, and conversation.

And, remarkably, it’s always, always filled to capacity. Stories abound of people getting to the space twenty minutes before the slated start time to find a sign taped to the door: “We’re Full. Sorry.” I’ve been shut out forty minutes before the reading was supposed to begin.

Tonight I got there well ahead of time. It was the annual cookout, done in tandem with a small press of note. Last year it was McSweeney’s. This year it was Michigan-based Dzanc Books. The full line-up of readers is here. All were excellent; for my money, Jeff Parker’s selection from “False Cognates” stood out, but its being funny and straightforward probably helped. As much a part of the experience, however, was the food. It was a feast. Pittsburghers can cook, or at least Gist Street loyalists can. Many, many delicious items were eaten, by me, tonight.

But I am sort of beating around the bush. I must admit a deep bias I have in favor of Gist Street. It involves the raffle they hold at each reading.

Upon entering, each person writes his or her name on a slip of paper and tosses it in a basket. At the end of the reading, names are drawn for a variety of prizes. Each reader puts up a copy of his/her book. There is locally grown produce. Sometimes someone will offer a homemade ceramic piece, or a hand-knit scarf (which a friend won once).

Tonight, I won a most excellent prize: a medley of vegetables from the garden of Sherrie Flick, one of the Series’ founders and organizers (and also a published novelist and flash-fiction writer (what a combination!)). (In the box: a cup of blackberries; two carrots; two radishes; a zucchini; green onions; two plums; a tomato; and a small pepper-ish sort of thing.) Of even further note, though, is that this marked the third time I’ve won something in Gist Street’s raffle. (I won a galley copy of Cathy Day’s The Circus in Winter, and a copy of Dean Young’s Primitive Mentor (which is sort of a raffle within a raffle, for me, because I am utterly stymied by most poetry and Dean Young is on the very short list of poets whose work tends to make sense and please me more than it baffles and irritates me).) It’s to the point, now, where I expect to win something when I go, and am kind of miffed and incredulous when I don’t.

Anyway, consider this a full-throated, whole-hearted recommendation of the Gist Street Reading Series. Even subtracting out the great prizes I’ve won over the years, it’s a great experience and a definite credit to Pittsburgh’s literary community.

The Great Staycation of 2010 + The Saturday Problem

I’ve cleverly taken Friday off from work, giving me a four-day weekend. I’ve been salivating over it all week, as I was recovering from one of those weekends where you don’t really get a moment’s rest, and walk into work thinking something like “Really? Already?”

And now. My staycation. Is. Here.

I’ve generally been dubious about the notion of a “staycation” (or, for that matter, any of this kind of neologism you’re apt to read about in the New York Times Style page or wherever). It sounds like a lazy vacation, or a vacation for unimaginative people. But if you’re stressed, and just want to chill out for a few days, the idea of chilling around the house can be really, really appealing. Especially as compared with thoughts of getting to the airport, going through security, renting a car, checking into a hotel, etc. etc.

So far I’ve done nothing special—I ran, ate well, ran some errands, and have been watching both World Cup matches. (Yeah, Netherlands! And Go, Ghana!) And it has been great.

But, as often happens on lazy weekends, there’s an obligation hanging over my head. And its name is writing. I haven’t done any today. I call this the Saturday problem; it’s the problem of having, seemingly, all day to take care of the task of writing, leading one to put it off and put it off until there’s a half hour left until you’re due to go out for dinner, or it’s 11:30 p.m., or you’re about to sit down to it when a friend calls to see if you want to come out for a drink.

I’d imagine this is a common problem for writers. It seems like just another species of the procrastination problem, that cliche about writers having very clean houses because there’s always some suddenly-pressing task to be done before he/she really sits down to do it. I don’t know that I have any readers yet, but I invite any of them to chime in on this matter.

For whatever it’s worth, I do plan to get down to it as soon as the Uruguay-Ghana game ends. For real, y’all. In this instance, I’m inspired by not having completely limitless time: I’ll be going later to see the most recent film from M. Night Shyamalan, The Last Airbender. Not because I’m particularly excited about it; I haven’t seen one of his films in the theater since Signs, which I thought was pretty absurd. I also recently saw Unbreakable, which various people had talked up, and which I also thought was preposterous. And if I had limitless time and no obligations, I might take the trouble to see The Happening, which from various YouTube clips I’ve seen seems pretty amazing.

No, I’m not going for the aesthetic edification of it. (See the paragraph below.) I’m going because I am proud to bursting that my own flesh and blood, my younger brother, was a production assistant on the film and for the first time in his career I’ll be able to sit rapt through the credits, as his name will appear somewhere in there. (The premiere was this week and I got a late-night photo texted to me, a blurry screen shot of the credit scroll.)

Sadly, though, the film appears to be terrible. (Here’s a withering review from my go-to source for media reviews, The AV Club.) But on the plus side, I’ll be seeing it at a drive-in movie theater. Check it out: the theater’s website is a masterpiece of clip art. In any case, if the movie is terrible I’m hoping the novelty of the setting will help me pass the time until the part I want to see (the end credits) comes up.

Reason #1 to Love Pittsburgh: Anthrocon

[Author’s note: I’ve often been in the habit of titling Facebook status updates along the lines of “Reason #6,387 to Love Pittsburgh: Pierogies,” or whatever. It’s occurred to me that with this blog, it would be fun/interesting actually to quantify the reasons that I love Pittsburgh. So here’s installment #1, in no order.]

This weekend wrapped up another successful Anthrocon, also known as the Furry Convention. If you’re not familiar with furries, see here or, for a definition in their own words, here. As a statement of fact, let me note that I’m not a furry. I’ve never had a desire to dress like an animal, or consort with those who do. And while I find the whole phenomenon hilarious and strange, I’m not completely down on it.

This is the third year in a row that I’ve checked out Anthrocon. (I believe it’s been in Pittsburgh since 2006.) The first year I went, a friend and I ponied up the money to attend the conference legitimately, earning the right to go to panels (on do-it-yourself taxidermy) and things like variety shows and a(n execrable) stand-up comedy concert. Last year and this year, I confined myself to checking out the “fursuit parade.” A fursuit is the image most people have of a furry: a complete animal costume, no skin or other authentic human parts showing through. The fursuit parade is thus a fascinating look at the variety and depth of furries’ commitment to this pastime/avocation/fetish: these are all people who shlepped these massive, physically stifling costumes great distances to see and be seen. There’s always great, weird stuff at these things, too: this year there was a pair of furries (I want to say they were both dogs) wearing hockey jerseys from the movie Slap Shot. What a reference!

I could go on about the furry convention, but I have some photos that’ll probably tell more than I could. And with reference to Pittsburgh, I suppose what must be said is that it’s a special city that can make furries feel right at home. But Pittsburgh decidedly has. The bars and restaurants in the immediate vicinity of the convention center (where the convention is mostly held) have always seemed game, and more than amenable to the decidedly weird, often downright-creepy crowd the convention draws in.

Anyway, the photos: