Adam Reger | Freelance Writer

Philadelphia-based freelance writer

Thanks given

Today marks one year since I started my job. The time last summer that I spent unemployed recedes further into the past. My memory of that time, accordingly, gets rosier and brighter. Good thing this blog is still out there, reminding me of what a boring time that actually was.  (Actually I notice I had a recurring tag, “Boredom,” that appeared in a lot of posts.) I played a lot of Tecmo Super Bowl in those days.

I usually let anniversaries, birthdays, holidays, etc. pass without too much reflection (because I like to do my reflecting when I want to, not when some fat cat tells me to), but on this one I’m struck by how fortunate I am to have a job. Straight up.

Coming upon this post from that other blog, I’m reminded what an odyssey it was to temp and to look for a permanent job (and to try to do things like write and have a post-MFA social life afterwards). Work is not inherently fun, but stability is nice. And this is all without reference to the economic crisis or the current shortage of jobs; considering how many qualified and over-qualified people can’t find work only compounds my sense of being incredibly fortunate. (It might make me double-super lucky that I wasn’t looking too hard for work when I got this job; one of my old co-workers opted to go to law school and my former bosses thought of me.) Anyway, I suppose this note is along the lines of the ads I used to see in the classifieds section of the Philadelphia Inquirer, thanking various saints (I think St. Jude is the default saint, but what do I know) for gifts received.

No Opinion

Is it a sign of approaching middle age to be basically indifferent to large chunks of pop culture? The Flaming Lips are playing Pittsburgh tonight. I saw that a while back and thought, “Yeah. Maybe.” Then did nothing. My girlfriend just texted to suggest we buy scalped tickets and go see the show. I couldn’t tell if she was kidding or not. (Update: I think she was.)

I saw the Flaming Lips a while ago. I remember it being a pretty excellent show: Sebadoh, Cornelius, and a band called ICU (that was actually one dude with a theramin) also played. It was at the Electric Factory in Philadelphia. I got off the wrong subway stop and wandered through some of Philadelphia’s sketchiest, dirtiest neighborhoods as dusk settled in and I got progressively more freaked out. It was the summer after my first year of college and I had just hacked off this great heinous mane of wavy hair that I’d been cultivating since the summer before my senior year of h.s. During the show, someone kept throwing water at Sebadoh’s bassist and he flipped out and came into the crowd. There were innumerable delays because HBO was recording the show. I came away liking Cornelius, mainly because of their copious use of Planet of the Apes imagery. Wayne Coyne from the Flaming Lips did a duet, with the theramin-playing guy from ICU, of “Somewhere Over the Rainbow.”

Still: I would rather eat a nice dinner, take a walk, and watch a movie than go to an arena and see the Flaming Lips tonight. If this be middle age, fine. Even at that Philadelphia show, I remember walking to the door and applauding only half-heartedly for the Flaming Lips to come back for an encore. When they did, I stayed out of a sense of obligation. They were touring in support of The Soft Bulletin, which I didn’t love. Nor did I love Yoshimi Battles the Pink Robots. After that, I stopped paying attention. (Although I did go see Christmas on Mars, which was phenomenally boring and badly made to an extent you rarely ever see on the big screen.) It feels like the Flaming Lips have gone the way of Pearl Jam or U2, where whatever got them to this point—their fantastic weirdness, I’d argue—is alternately forgotten and trotted out as their shtick.

But, that’s just me. I have an embarrassing habit of being lukewarm on most bands’ breakthrough albums. Don’t ask me about The Bends versus OK Computer, because I’ll just make us both feel bad.

What were we talking about?

Addendum re: Jack Pendarvis

Embroidering the point I made yesterday (to wit: that Jack Pendarvis is awesome), I tracked down an excerpt from Awesome, printed in the Yalobusha Review, that I recalled having cracked my shit up. A sample:

Dottie set up a kind of clinic where I breathed on people’s backs and gave them orgasms. Each person was observed to exhibit some kind of material improvement.

Gertrude sang in a lovely contralto.

Annabel became an expert in medieval Russian iconography.

Jack Pendarvis & John Brandon Podcast

One of my most favoritest of contemporary writers, Jack Pendarvis, reads here at an Oxford, MS bookstore with the writer John Brandon (who seems poised for big success with his second novel, Citrus County, from McSweeney’s). I liked, but did not love, Brandon’s first novel, Arkansas, also from McSweeney’s. (A compendium of info on that book is here. They published a couple excerpts, but I’m unable to locate those on the website.) However, I loved, not liked, Brandon’s prose, so I may well check out Citrus County.

Jack Pendarvis cracks me up, whether I’m reading his “blog” or one of his story collections (Your Body Is Changing and The Mysterious Secret of the Valuable Treasure), or his novel, Awesome. (One of my great accomplishments during graduate school was, while fiction editor of the grad-student lit mag, Hot Metal Bridge, to solicit a selection from Awesome. Mr. Pendarvis was gracious enough to give us an excellent section of the book, and was a pretty darn nice guy to correspond with.) He is pretty funny here, reading from a column he writes for The Believer. It kind of bummed me out to hear him slated as the opening act, but I guess what with John Brandon’s being something of a rising star, that status may now be appropriate.

The Brandon reading is pretty excellent, too. After hearing what Citrus County is about—it seems to involve a terrible crime, and potentially a love triangle—I am all the more intrigued after listening to this excerpt, which features a middle-school teacher running his students through genealogy presentations and reluctantly planning for his tenure as coach of the school’s girls’ basketball team. If you’re like me, you love it when random stuff comes together.

One sour note about the podcast, as I experienced it: the player really, really sucks. And by that I mean it won’t let you pause or fast-forward (which would be a convenience if you tried to pause the broadcast, realized pushing Play took you all the way back to the beginning, and thought you’d like to skip over the ten minutes you’d already heard).

On “Inception”

I saw it yesterday and am still thinking it through. If I don’t love a movie immediately, or have very high expectations for it that are not met, I sometimes over-correct and say that the movie was bad or that I disliked it. I can admit that Inception wasn’t bad, and that on the whole I liked it. But it felt like something was missing, or like the overall set-up was overly intellectual and failed to communicate any real feeling.

This review, by Christopher Orr over at The Atlantic, comes pretty close to my own feelings on Inception. I certainly don’t care for Orr’s (mild) diss of The Prestige, though.

I now turn my sights to the technically virtuosic, exquisitely conceived and designed latest film from a director whose work I typically love that I’ve really been looking forward to this summer: Micmacs. I’d take Jean-Pierre Jeunet over Christopher Nolan any day.

Reason #2 to Love Pittsburgh: Gist Street Reading Series

(As mentioned here, I’m enumerating reasons in random order, but giving them consecutive numbers (as opposed to “Reason #6,387 to Love Pittsburgh”).)

Pittsburgh definitely punches above its weight class when it comes to the literary scene. A lot of that is due to the universities: the deep-pocketed Carnegie Mellon University brings in some jaw-dropping readers every year, and the University of Pittsburgh and Chatham University (nee College) both have MFA programs that both bring in and incubate talented writers.

But it’s sort of de rigeur for universities to pull the weight. The really impressive thing about the city’s literary community is the Gist Street Reading Series. Independent of the universities, and with only a tiny bit of funding from the Pennsylvania Arts Council, Gist Street is a local, homegrown phenomenon. The set-up’s simple: the first Friday of the month, two writers—one fiction, one poetry—read from their work in a loft space in Pittsburgh’s Uptown neighborhood (a tiny, isolated, somewhat sketchy neighborhood just on the cusp of Downtown). It’s BYOB—and B.Y.O. Food, Dessert, Anything You Want to Eat or (Preferably) Share with a Bunch of Strangers. As the Series’ slogan goes, “It’s not about suffering.” And it’s not: there’s always ample eating, drinking, and conversation.

And, remarkably, it’s always, always filled to capacity. Stories abound of people getting to the space twenty minutes before the slated start time to find a sign taped to the door: “We’re Full. Sorry.” I’ve been shut out forty minutes before the reading was supposed to begin.

Tonight I got there well ahead of time. It was the annual cookout, done in tandem with a small press of note. Last year it was McSweeney’s. This year it was Michigan-based Dzanc Books. The full line-up of readers is here. All were excellent; for my money, Jeff Parker’s selection from “False Cognates” stood out, but its being funny and straightforward probably helped. As much a part of the experience, however, was the food. It was a feast. Pittsburghers can cook, or at least Gist Street loyalists can. Many, many delicious items were eaten, by me, tonight.

But I am sort of beating around the bush. I must admit a deep bias I have in favor of Gist Street. It involves the raffle they hold at each reading.

Upon entering, each person writes his or her name on a slip of paper and tosses it in a basket. At the end of the reading, names are drawn for a variety of prizes. Each reader puts up a copy of his/her book. There is locally grown produce. Sometimes someone will offer a homemade ceramic piece, or a hand-knit scarf (which a friend won once).

Tonight, I won a most excellent prize: a medley of vegetables from the garden of Sherrie Flick, one of the Series’ founders and organizers (and also a published novelist and flash-fiction writer (what a combination!)). (In the box: a cup of blackberries; two carrots; two radishes; a zucchini; green onions; two plums; a tomato; and a small pepper-ish sort of thing.) Of even further note, though, is that this marked the third time I’ve won something in Gist Street’s raffle. (I won a galley copy of Cathy Day’s The Circus in Winter, and a copy of Dean Young’s Primitive Mentor (which is sort of a raffle within a raffle, for me, because I am utterly stymied by most poetry and Dean Young is on the very short list of poets whose work tends to make sense and please me more than it baffles and irritates me).) It’s to the point, now, where I expect to win something when I go, and am kind of miffed and incredulous when I don’t.

Anyway, consider this a full-throated, whole-hearted recommendation of the Gist Street Reading Series. Even subtracting out the great prizes I’ve won over the years, it’s a great experience and a definite credit to Pittsburgh’s literary community.

Note to Self re: Research

When conducting research on, say, old-timey pirates, make sure that any films you may select off of Netflix are not actually porno flicks edited down to get an R rating.

Yes, friends, I unwittingly popped in a softcore porno, notebook poised to jot down any good period details that I might use in the project I’m working on. I swear that when I picked this movie (Pirates—the nondescript title probably contributed to my error) I had a hazy memory of its appearing in theaters a year or two ago. (Why did I picture Geoffrey Rush in pirate garb?)

This movie is very, very good for an adult film—terrible acting, as you’d expect, but excellent costumes and cheesy-but-still-impressive digital effects. But . . . how to say this delicately . . . something is definitely missing.

Twilight

I resisted, but I’d have to say I’m now a huge fan. (Also: a huge nerd.)

Scandal on The Price Is Right

I had not heard about this. But now I have. Excellent article in Esquire about a guy who guessed the Showcase Showdown perfectly on The Price Is Right, and some of the fall-out. Don’t miss the video of Drew Carey giving the guy the good news through clenched teeth.

Is This a Real Question that Real People (Still) Ask?

I’ve been almost completely oblivious of the MTV series The Hills, which I guess just concluded. When I’ve run across it it’s either been through The Soup or just flipping around. When I’ve had the option of giving it more attention than The Soup would, though, I’ve inevitably bailed.

I’ll skip listing all the reasons under the category of how bad and dumb it seemed—MTV, class warfare, blah blah blah—and cite the only one I needed: Was I really supposed to believe that this was real?

It was on the other day at the gym and I was trapped watching it for about thirty minutes. (The remote was with another gym-goer, who seemed sincerely into it.) Even with the sound off, this thing looked much closer to The Office than The Real World (which, granted, is not completely “real” but is not a record of actors playing characters): do reality shows typically station two cameras around a cafe table to record the facial reactions of both participants in a conversation?

I could go on—and to be fair, if I let myself go on at length about this ridiculousness I’d probably get around to talking about the achievement of the young actresses I’ve seen on the show, doing an actually pretty passable job of simulating the utter mundaneness of everyday conversation—but I’d rather not. What spurred all this bloviation is this Yahoo! TV Blog post on the (shocking!) apparent fakeness of the entire show. (Although, to be fair, there’s lots of acknowledgment of the long-running charges that the show is fake, and plenty of intelligent on-the-other-hand equivocation. And the post did point me in the direction of this story, which is pretty excellent.)