(I was tempted to title this something flashy and contemporary-seeming, like “One Weird Trick to Make It Easy to Jump into Writing,” but opted for the more prosaic title you see above.)
Anyway, a note stemming from last night’s meeting of my “Writing Studio” class at the Pittsburgh Center for the Arts. (Briefly, this is a class whose purpose is to offer writers of all genres/backgrounds the time to write, with some hopefully-stimulating elements like a weekly craft talk, exercise prompts, discussion time, the option to share pages with me and get feedback. Basically, think of an open studio in pottery or painting—it’s like that, but with writing.) Two meetings in, the class has been great fun and very stimulating—for me but, far more importantly, for the students, a number of whom have told me they’ve been enjoying it and getting lots done.
We had a great discussion regarding writing process, and someone brought up Hemingway’s practice of stopping a day’s writing in the middle of a sentence so that he’d have a natural and easy place to start the following day.
This prompted me to share something I do when I stop writing for the day that has come to seem so natural, I quite forgot that I’d ever not done it. The students seemed interested, so I thought I’d share it here as well.
Going off the Hemingway practice, which was designed so that Papa could stop when there was more to be written and it would be fairly clear, the following day, what should come next, I have gotten into the habit of marking the place where I’m going to pick up tomorrow and then writing a short note about what I think can or will happen next.
For example, here’s what I wrote at the end of today’s work on a piece that I think will eventually add up to a novel:
“echoes of Homewood, someone saw him give Malaki a hug and wants a hug too; asks Pete’s advice on Hilda”
This will of course be complete nonsense to you, but it means something to me and when I begin work on this piece tomorrow I can look at this and remember what I thought might be a good next step.
I have the option to follow those notes as if they were a blueprint, but it’s only an option. What I think is important is that these ideas present suggestions I can consider following (and decide to do something else—for instance, I might decide this bit about the hug is stupid, after all, and ignore it), begin to follow and then change course, or follow to the letter if I’m simply not feeling very original (or if I still agree with these ideas).
As I said, this has become a thing I do unconsciously when writing, as ingrained as having a cup of coffee nearby and my internet connection disabled. But several of the students remarked that picking up the thread of a piece of writing often costs them a bit of time and effort each time they get started back up on something, and I remembered that that used to be an issue for me, too. Hopefully this is an idea that can be beneficial to somebody out there.