Adam Reger | Pittsburgh Writer, Editor, and Teacher

Pittsburgh writer, editor, ghostwriter, and teacher.

Tag: M. Night Shyamalan

M. Night

For reasons relating to my being unsure of how various parts of this blog work, for an early post I ended up creating a Category called “M. Night Shyamalan.” Thus giving the casual reader the impression that I blog about that dude, like, all the time. (I blogged about him once, in the context of planning to go see The Last Airbender, which my brother had been a production assistant on. Astute readers will note that I never again mentioned that movie, and if those readers are really astute they’ll be able to guess why.)

Also because of my lack of technical skill at this whole blog thing, I’ve decided it would be easier to write more about M. Night than deleting that category. Which I’m sure would only mean that that earlier post would belong to one fewer category, but in my mind WordPress itself would somehow be structurally damaged by the removal of this crucial category tag.

Anyway, the AV Club posted this item about Shyamalan possibly doing an Unbreakable sequel. It is an interesting possibility mainly because Unbreakable led all the way up to the exact point where you would typically be interested in a superhero movie, and then stopped; it makes sense as part of a multi-part narrative, but as a third or fourth installment, or, better yet, a straight-to-DVD prequel-type thing that completists would go nuts for. It’s a pretty silly movie that, in my opinion, “worked” only in the warm glow of goodwill from Shyamalan’s success with The Sixth Sense. So a sequel that picked up on the promise of a superhero showdown might actually be interesting.

It’s not to be, the AV Club item reports. But what made me think I ought to post this (other than having that annoying M. Night category to populate; seriously, I wish I could just get rid of it) was this transitional line from Sean O’Neal (whose writing on that site is kind of a surprise pleasure; I’m such a fan of Keith Phipps, Nathan Rabin, and Scott Tobias, it’s a bonus to enjoy stuff from other contributors, the moreso when it’s material like this item that would seem to be mere toss-offs): “Showing his usual acumen for giving the public exactly what he wants . . .”

Yes. Exactly. Thank you, Sean O’Neal.

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The Great Staycation of 2010 + The Saturday Problem

I’ve cleverly taken Friday off from work, giving me a four-day weekend. I’ve been salivating over it all week, as I was recovering from one of those weekends where you don’t really get a moment’s rest, and walk into work thinking something like “Really? Already?”

And now. My staycation. Is. Here.

I’ve generally been dubious about the notion of a “staycation” (or, for that matter, any of this kind of neologism you’re apt to read about in the New York Times Style page or wherever). It sounds like a lazy vacation, or a vacation for unimaginative people. But if you’re stressed, and just want to chill out for a few days, the idea of chilling around the house can be really, really appealing. Especially as compared with thoughts of getting to the airport, going through security, renting a car, checking into a hotel, etc. etc.

So far I’ve done nothing special—I ran, ate well, ran some errands, and have been watching both World Cup matches. (Yeah, Netherlands! And Go, Ghana!) And it has been great.

But, as often happens on lazy weekends, there’s an obligation hanging over my head. And its name is writing. I haven’t done any today. I call this the Saturday problem; it’s the problem of having, seemingly, all day to take care of the task of writing, leading one to put it off and put it off until there’s a half hour left until you’re due to go out for dinner, or it’s 11:30 p.m., or you’re about to sit down to it when a friend calls to see if you want to come out for a drink.

I’d imagine this is a common problem for writers. It seems like just another species of the procrastination problem, that cliche about writers having very clean houses because there’s always some suddenly-pressing task to be done before he/she really sits down to do it. I don’t know that I have any readers yet, but I invite any of them to chime in on this matter.

For whatever it’s worth, I do plan to get down to it as soon as the Uruguay-Ghana game ends. For real, y’all. In this instance, I’m inspired by not having completely limitless time: I’ll be going later to see the most recent film from M. Night Shyamalan, The Last Airbender. Not because I’m particularly excited about it; I haven’t seen one of his films in the theater since Signs, which I thought was pretty absurd. I also recently saw Unbreakable, which various people had talked up, and which I also thought was preposterous. And if I had limitless time and no obligations, I might take the trouble to see The Happening, which from various YouTube clips I’ve seen seems pretty amazing.

No, I’m not going for the aesthetic edification of it. (See the paragraph below.) I’m going because I am proud to bursting that my own flesh and blood, my younger brother, was a production assistant on the film and for the first time in his career I’ll be able to sit rapt through the credits, as his name will appear somewhere in there. (The premiere was this week and I got a late-night photo texted to me, a blurry screen shot of the credit scroll.)

Sadly, though, the film appears to be terrible. (Here’s a withering review from my go-to source for media reviews, The AV Club.) But on the plus side, I’ll be seeing it at a drive-in movie theater. Check it out: the theater’s website is a masterpiece of clip art. In any case, if the movie is terrible I’m hoping the novelty of the setting will help me pass the time until the part I want to see (the end credits) comes up.